Posts Tagged ‘wood base’

Medium-sized toy cannon, c.1880

Saturday, April 20th, 2013

There seems to be a multitude of original toy cannon barrels married to wood replacement bases, as I have encountered numerous examples since I started collecting antiques with inventive repairs. This fine toy was most likely made in America in the last quarter of the 19th century and is made of brass with a replaced wood base, freely carved from a block of what appears to be pine. It measures 7-1/2″ long, stands 2-3/4″ tall and the barrel alone is 3-1/2″ long. The remains of the original barrel are firmly nailed to the replacement base using a leather strap. The original green painted surface reveals much wear from years of imaginative playing. Two sets of nail holes on one side suggest perhaps a length of chain was once attached. I purchased this in the same lot as two other toy cannons, all with the same green painted surface and graduating in size. Please take a look at the smallest one, previously posted, and stay tuned for the largest example, which I will post sometime in the near future.

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This toy cannon, also made of brass, is in its original form and shows what mine may have looked like before the barrel was strapped on to its wood replacement base. Though not up to military code, I still prefer mine!

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Photo courtesy of Esty

**UPDATE 4/23**

An astute  subscriber and former gun collector has informed me that this cute li’l toy cannon is actually made from the barrel of a REAL GUN! Please read his amusing and telling comments below, which shed some light on this toys former life on the streets, defending helpless women. And this is what the European ladies percussion muff pistol looked like when it was still intact and used as a deadly weapon, c.1840:

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Photo courtesy of Sailor in Saddle

 

Small toy cannon, c.1880

Sunday, March 31st, 2013

I hit the jackpot this past November while visiting friends in southern Vermont for the Thanksgiving holiday. On “Black Friday”, my dear friend Hilary and I ventured out to visit a few local antiques shops when I stumbled upon a set of three toy cannons, graduating in size, and each with a unique inventive repair.

This little gem, the smallest of the three, measures 3-1/2″ long and is 1-1/2″ tall. The tiny cast brass barrel, with its lovely green patina, is set in to the simple, yet effective, replacement base carved from a small block of wood, and held in place by two metal loops.

I particularly like the the three steps in the back and how the top of the wooden base was carved out in the exact shape of the cannon’s barrel so it would fit snugly in place. The dark greenish-brown painted surface remains mostly intact but shows some wear due, no doubt, to endless hours of battles played out in the safe confines of a patriotic young boy’s back yard. These toy cannons might have been manufactured in 1876, to help commemorate America’s centennial.

I will be posting the other two cannons from the same lot in the coming months, so be on the lookout. And please take a look at another small toy cannon, with a much cruder home-made repair, previously posted in these pages.

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This toy cast iron ship’s signal cannon from the early 1800s shows what the original base on my cannon might have looked like.

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Photo courtesy of Land and Sea Collection

Glass kerosene oil lamp, c.1860

Sunday, November 4th, 2012

Early American Pattern Glass (EAPG) kerosene oil lamp in what appears to be the Hamilton (aka Cape Cod) pattern, made in America by the Cape Cod Glass Company circa 1860. Measures 8-3/4″ tall. Round 3 tier base of polished wood replaces the original glass base, broken many years ago and replaced in first quarter of the 20th century.

Pair of early blown glass wine goblets, c.1790

Saturday, May 26th, 2012

This unusual pair of American blown glass wine goblets date to the late 1700s and stand approx. 4″ tall. I love finding pairs of early repaired items and these are no exception. When the bases snapped off at the stems, a turned wood base was made for each as a practical replacement.

Blown glass whale oil lamp, c.1830

Wednesday, February 23rd, 2011

This simple, hand blown glass whale oil lamp was made in America in the early 19th century. Though no longer functional as a lamp, it now makes for an interesting vase. A true make-do, it started out life as one thing and as the result of an accident, was reborn as something entirely different.

Whale oil was the preferred source of lighting in the early 1800′s, and was also used for making soap, textiles, jute, varnish, explosives and paint. It fell out of favor in the mid-late 1800′s as a result of the development of kerosene oil in 1846.

Illustration courtesy of Curious Expeditions

Lamp/vase measures 6-1/4″ tall and the base is 3″ square. The original brass collar and burner went missing long ago.

It is not unusual to find oil lamps with replaced bases, as they were one of the most used household items in the 19th century. This unusually elaborate replacement base is made of wood and covered in gessoed relief flowers, with a floret at each corner.

This complete lamp shows what the base on my lamp might have looked like.

 

Photo courtesy of Comollo Antiques

Oil lamp with pyramid base, c.1920

Thursday, October 14th, 2010

The person who repaired this 7″ tall EAPG (Early American Pattern Glass) oil lamp in the “Sawtooth” pattern threw caution to the wind and developed their own whimsical pyramid base, which bares no resemblance at all to the original glass base

This joint is where the lamp attaches to the painted base, showing “alligator” finish red line detailing

The overscaled base measures 7″ square

The remains of the heavily sawtoothed stem are visible from the underside of the base

This identical lamp, fully intact, reveals how much is actually missing from my lamp

Photo courtesy of iOffer

Glass perfume bottle, c.1895

Wednesday, July 28th, 2010

This strange pressed glass square-shaped bottle with molded Greek key band design was found in Virginia and sports a rustic “make-do” base. It has a mismatched, ill-fitting glass stopper of a different color, replacing a more fanciful stopper, no doubt. I imagine it would have looked a bit out of place on a lady’s vanity or dresser among her other delicate bottles and toiletries

Bottle stands 4″ high and has a square over-scaled unfinished wood base, replacing the original glass base that broke off years ago

This canning jar has the same Greek key design and is marked on the bottom: “HC” over a triangle, “Safety Valve Patd May 21, 1895″

Photo courtesy of Ed & Lucy Faulkner

American “make-do” at the MET, c.1791

Wednesday, June 23rd, 2010

The Metropolitan Museum of Art in New York City is home to many examples of antiques (and antiquities) with inventive repairs. Some are on display for the public to see and many more are buried away in their vast archive collection.

This blown and engraved glass presentation goblet is inscribed in script on the back: “New Bremen Glassmanufactory, 1791″ and is inscribed on the base: “Presented to Thomas Mifflin, Governor of Pennsylvania”. It was made by John Frederick Amelung in New Bremen, Maryland and measures 10″ tall. This goblet can be seen in the American Wing in a showcase on the second level.

Photo courtesy of The Metropolitan Museum of Art

EAPG glass goblet, c.1880

Wednesday, June 16th, 2010

Early American Pattern Glass goblet, also known to collectors as EAPG, in the “Wide Band Baby Thumbprint” pattern. Goblet stands 5″ high and is made of non-flint glass

It was not uncommon for goblets, which were used daily, to snap off at the base. And when they did, they were repaired at home with a carved wooden base such as this one, or taken to a tinsmith for a more lasting replacement

This is what the base would have looked like before the goblet slipped out of the original owner’s hands and on to the floor

Photo courtesy of Brey Antiques

“Actress” glass jug, c.1879

Wednesday, May 19th, 2010

Early American Pattern Glass (EAPG) cream jug in the “Actress” pattern, featuring cameo portraits of Miss Neilson and Fanny Davenport, with their names indicated below each portrait. Pressed, non-flint glass creamer measures 6″ high. Made in Ohio by many glass companies including LaBelle Glass Co. in 1872 and Crystal Glass Co. in 1879. Adams & Co. of Pittsburgh, PA also produced this popular pattern starting in 1880.

Lillian Adelaide Neilson (March 3, 1848-August 15, 1880) was a pseudonym of Elizabeth Ann Brown. She was an English born Shakespearean actress, best known in America for performing the role of Juliet at New York City’s Booth Theatre in 1872.

Fanny Lily Gipsy Davenport (April 10, 1850-September 26, 1898) was born in London, England and brought to America when she was a child and educated in Boston. In 1862 at the age of twelve, she appeared in at New York City’s Niblo’s Garden as the King of Spain in Faint Heart Never Won Fair Lady.

Replaced trapezoid-shaped wood base appears a bit clunky, but allows the jug to function once again.

This glass jug shows what the original base looked like before it snapped off.

 

Photo courtesy of Ruby Lane