Posts Tagged ‘pottery’

Samuel Hollins stoneware coffee pot, c.1800

Saturday, December 2nd, 2017

This impressive drabware coffee pot was made by Samuel Hollins in Stoke-on-Trent, England, c.1795-1800. Made from unglazed dry bodied stoneware, it has sprigged decoration on the top portion, a ribbed lower portion, and silver lustre painted trim lines. It measures 8.5 inches high and 7.75 inches wide from handle to spout. On the underside is the impressed mark S. HOLLINS.

It appears that soon after the coffee pot was made, the tip of the spout broke off and the lid went missing. Luckily for the owner, a local tinsmith made a sturdy metal replacement lid, adding a hinge and a sawtooth edged collar. Although quite different in appearance, the new lid is more likely to remain on the pot, and the chance of another mishap his less likely.

This one shows what the original spout and lid would have looked like on mine.

Screen Shot 2016-02-28 at 3.43.52 PM

Photo courtesy of WorthPoint

South American chicha jug, c.1908

Sunday, October 8th, 2017

This baluster-form pottery chicha jug was made from natural red clay in Boliva or Peru in 1908. It is decorated with deep carvings, including “Indio” faces and geometric forms and measures 5.75 inches high and 5 inches wide. On the underside is a bold incised mark “1908 EA.” Chicha is a fermented beverage made in South and Central America from grains, maize or fruit.

A true survivor, this little jug suffered much damage early on but is still intact 109 years later. With its elaborate design and intricate details, it must have been treasured by its owner and was preserved for future generations using whatever materials were available. By wrapping thin leather strips tightly around the multiple fractures, the jug was able to function once again and saved from the junk pile. It goes without saying that I am certainly glad it wasn’t just thrown out with the garbage.

Blue transfer printed pearlware jug, c.1825

Saturday, August 5th, 2017

This Dutch form pottery jug with pearlware glaze and sparrow beak spout was made in England in the first quarter of the 19th century. Standing nearly 4.25 inches high and 5.75 inches from handle to spout, it has blue transfer decoration, combining a pastoral scene with a shepherd, ancient ruins, and a lush border of flowers and fruit along the rim.

Well over 100 years ago, the original loop handle became detached and immediate surgery was needed. Luckily for the jug and its owner, a tinker made a metal replacement handle and bolted it to the jug. To help mask the repair, the new handle was painted blue and white to match the existing decoration. Curiously, a hole on the side was filled with lead, much like a cavity in a tooth. Not the most elegant repair job I have seen but it certainly does the trick.

This jug with similar form and decoration shows what my jug might have looked like before its accident.

Screen Shot 2014-11-11 at 10.26.03 AM

Photo courtesy of eBay

“Love and live Happay” teapot, c.1805

Saturday, July 15th, 2017

I am a big fan of ceramics with bold, graphic decoration, especially ones with text, and this charming example certainly fits the bill. This Prattware pottery teapot, proclaiming “Love and live Happay (sic),” was made in England in the early 1800s. Standing 5.25 inches high and 10 inches wide, it is painted in typical Prattware colors, including green, yellow, blue, and brown.

It appears that long ago, Mr. Butterfingers loved his teapot so much that he tossed it up in the air with glee, but didn’t catch it on its way back down. Sadly, the lid and handle shattered beyond repair, but thankfully a tinsmith was able to craft a nifty metal replacement handle so the teapot was able to be loved again and live happ(a)ily ever after.

This teapot with similar shape and decoration shows what the original handle and lid on mine might have looked like.

Photo courtesy of Agnes Ashe

Ridgway relief molded jug, c.1835

Saturday, June 24th, 2017

This relief molded salt glaze jug from 1835 was made in England by Ridgway. It is decorated with scenes from Robert Burns’ poem, “Tam O’Shanter,” written in 1790. It measures 6.75 inches tall and is incised on the underside: “Published by W. RIDGWAY & CO. MANLEY, October 1, 1835.”

Although this jug maintains its original pewter lid, its overscaled ear-shaped metal handle is a replacement, made by a tinsmith over 150 years ago.

Here’s the same jug with its original handle intact.

Photo courtesy of Andrew Dando

Character jug with stapled face, c.1924

Saturday, June 17th, 2017

Is this another monster created by Dr. Frankenstein? Not exactly, but it looks like his English relative.

This blue-glazed pottery character jug in the form of British Prime Minister Stanley Baldwin was designed by Percy Metcalfe and produced in Surrey, England, by Ashtead Potters between 1923-1929. It stands 7.5 inches high and is boldly marked on the underside and numbered 202 of a limited edition of one thousand.

We will never know for sure if the jug became broken accidentally or if it was thrown in disgust as a result of a disagreement over the political views of the Right Honorable Stanley Baldwin. Either way, four small metal staples were used to repair his broken face. Ouch, that’s gotta hurt!

Three other commemorative jugs were made in this series. Shown here in Pearl Barley glaze, they include Attorney General Lord Hailsham (Douglas McGarel Hogg), British Prime Minister David Lloyd George, and Australian Prime Minister Stanley Melbourne Bruce.

Photo courtesy of Ashtead Pottery

Welsh jug with metal handle, c.1850

Saturday, April 29th, 2017

This little pearlware pottery cream jug was made in the unpronounceable village of Ynysmeudwy, Wales during the mid-19th century and was part of a child’s tea set. It is decorated with moulded relief of hunters, dogs, and flowers, with flow blue glaze and copper lustre bands at the rim and base. It stands nearly 3.5 inches high and is marked “35” in copper lustre on the underside.

As is true of the many fragile items for children that I have in my collection, this poor jug must have slipped from the hands of a nervous child, who no doubt was told to handle it with care. Well over 100 years ago, as a result of the mishap, a tinker made a sturdy metal replacement handle. There must have been a lot of pressure placed on small children when they were given delicate playthings like this, and unjustly punished when the inevitable happened. I can just imagine the collective sigh of relief heard worldwide when children were given unbreakable toys made of plastic to toss about as they pleased.

This jug of similar form and decoration suggests what the original handle on mine might have looked like.

Photo courtesy of eBay

Georgian creamware teapot, c.1790

Saturday, April 1st, 2017

I love finding pieces with multiple repairs and this lovely soft paste pottery creamware teapot with pearlware glaze fits the bill nicely. It was made in Staffordshire or Leeds, England, in the late 1700s and is hand painted with spritely polychrome floral decoration on both sides. It measures 5 inches high and is marked with what appears to be A+A in red on the underside of the pot and lid.

But of course the reason it ended up in my collection is the three inventive repairs, which include a slightly exaggerated bronze handle covered in rattan, a brass collar concealing a chipped spout, and a cracked lid repaired with brown paper tape. I believe each repair was done years apart so one can only assume that the previous owners of this teapot were a clumsy lot.

This teapot still has its original handle and spout and shows what mine may have looked like before it was repaired.

Photo courtesy of Skinner

Toby figural pepper pot, c.1870

Sunday, March 5th, 2017

This 5 inch tall figural pepper pot (also known as a caster or muffineer) in the form of Sir Toby Philpott, wears a tricorn hat and grasps a tankard of ale in one hand and a tobacco pipe in the other. It was made in Staffordshire, England, in the late 1800s, of polychrome glazed pottery and is part of a four-piece caster (also known as a cruet or condiment) set, which includes a mustard, salt, and vinegar.

This Toby originally stood on a round plinth base, which he jumped off of (or fell, or was pushed) at least 100 years ago. In its place is a nicely crafted silver replacement base, lending an air of elegance to this robust fellow.

This chap stands on his original base, although the crack at the bottom leads me to believe that he might be heading to the silversmith soon to be fitted for his own silver replacement base.

Photo courtesy of The Antique Shop

French faience patriotique plate, c.1790

Sunday, February 19th, 2017

To commemorate the end of the French Revolution, post-revolutionaries planted trees to celebrate their freedom. This well-used earthenware faience patriotique plate with tin glaze was made in Nevers, France, in the late 1700s. It is made of red clay and decorated with polychrome enamels to emulate Chinese porcelain.  The Liberty Tree depicted here reflects the patriotism of the French.

The underside of this plate reveals even more history, as over a dozen rusted iron staples still hold the damaged plate together after it was shattered more than 200 years ago. Plaster was used to fill the gaps that were left surrounding the tiny holes. To me, the unintentional overall pattern made by the staples on the underside are just as interesting as the design made by the artist on the front of the plate.