Posts Tagged ‘metal handle’

Porcelain blue & white jug, c.1785

Saturday, May 18th, 2013

Chinese porcelain baluster-form hot milk jug with sparrow beak spout, made in the mid to late 18th century during the Qianlong Period (1736-1795). Delicately decorated in underglaze cobalt blue showing a large vase filled with precious objects sitting on a carved wood table, a pair of bees and flowers. The scale of these objects is a bit off-kilter, which adds a whimsical quality. Jug measures 5-3/4″ high and 4″ wide to the end of handle.

The original porcelain handle was replaced over one hundred years ago with a woven wicker covered bronze replacement. I have dozens of examples of wicker covered metal replacement handles in my collection, as this was a standard form of inventive repair. At first glance, the handles all look pretty much the same, but upon closer inspection, you will see a variation to the pattern within the weaving. This handle has a straightforward checkerboard weave, but I have some pieces with more than one color of rattan, woven in a more intricate pattern. I think a post dedicated to showing the many variations of woven handle styles would be interesting, don’t you?

This blue & white decorated jug with similar form still has its porcelain handle and lid intact. Before my jug became an example of “inventive repair” it would have looked much like this one.

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Photo courtesy of eBay

Redware vixen stirrup cup, c.1775

Sunday, April 28th, 2013

This redware pottery figural stirrup cup was made in England in the third quarter of the 18th century and is in the form of a cunning little vixen’s head. L-shaped, it measures 4″ tall by 6-1/4″ wide and is freestanding, which is unusual, as most stirrup cups are base-less and unable to stand on their own. Stirrup cups, traditionally filled with port or sherry, were given to guests as a parting drink at the conclusion of a fox hunt, while their feet were still in their stirrups. This tradition began in the United Kingdom in the 18th century and continued for hundreds of years. As this sport never ended well for the fox, it was finally banned in Scotland in 2002 and in England and Wales just three years later.

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The original handle must have broken off after an inebriated hunter grabbed the cup at the conclusion of the hunt, downed his sherry, then promptly fell off his horse, dropping and breaking the prized vessel. I imagine the host was not pleased by the guest’s unruly behavior and surely did not invite him back anytime soon. Luckily, a metalsmith, most likely in the 19th century, came to the rescue and fashioned a new handle with support bands, thus enabling another, more sober guest to stay in the saddle and toast his gracious host.

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An original paper label on the bottom links this cup to esteemed collector and author Frank Falkner of Cheshire, England. The June 1905 issue of Glass and Pottery World contains an article that includes this amusing excerpt: “Mr. Falkner and Mr. Lidelstham had a hobby for old pottery, but they did not follow the usual practice of collectors by acquiring rare specimens of old Sevres, Worcester, Crown Derby, Wedgwood or others of the same high class. They directed their attention to the homely figures and ornaments with which ‘the rural population of a century ago used to deck their dresser or mantel shelf. These common rustic figures, made by men who were little more than peasants themselves, had been passed over in silence for the most part even in ceramic histories.’”

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The Stirrup Cup by Heywood Hardy (1842-1933) shows hunters being offered drinks in figural stirrup cups by their host.

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Another fine example of a rare L-shaped stirrup cup, this one is in the form of a hare, and still with its original handle.

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Photo courtesy of Earle D. Vandekar

Pair of armorial sauce boats, c.1790

Sunday, April 7th, 2013

As collectors, we all have stories of “the one that got away” and for me it happened in June 1991, on the very first day I started collecting antiques with inventive repairs. Having landed in London the night before and still jet lagged, I stumbled down Portobello Road and wandered into a crowded stall selling porcelains. I spotted a pair of Chinese Export sauce boats each with a replaced metal loop handle. Pleading with the dealer to sell me just one, which I could barely afford, she broke up the pair and I happily walked away with what would be the start of my collection. Even then, I immediately regretted not being able to afford its mate, but I was pleased to at least own the one. To this day, I keep hoping I will come across the orphan I left behind and be able to reunite the two. So, if anyone can help me locate the long lost twin, I will be forever grateful and you will be rewarded for your excellent sleuthing!

The lone survivor of my maddening “Sophie’s Choice” moment

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You can imagine how happy I was to have been recently contacted by dealer Polly Latham of Boston, MA, offering me a pair of Chinese Export sauce boats, each with identical replacement handles and decorated with an armorial coat of arms, no less. This pair, a part of a larger dinner service, was made for export to the English market at the end of the 18th century and bear the Arms of Maitland, 8th Earl of Lauderdale (1759-1839). Maitland, a noted statesman, politician and controversial social and political critic of his time, criticized the clergy, condemned slavery and was an ardent supporter of the French Revolution. The motto under the coat-of-arms, intricately painted in polychrome enamels with gilt highlights, translates to “Wisdom and Courage”.

I am pleased to proclaim that as long as I am the caretaker of this fine pair, they shall remain unseparated.

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The replaced handles are made of forged brass, covered in woven rattan, and pinned to the end of the sauce boats with two metal rivets. The rattan covering is not only decorative but also used to insulate the metal handle from the hot contents.

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Take a look at the rest of the large dinner service, all bearing the arms of Maitland, including a pair of identical sauce boats with original handles intact, located in the center of the middle shelf.

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Photo courtesy of Polly Latham Antiques

Chinese coffee cup, c.1760

Saturday, March 2nd, 2013

This Chinese porcelain coffee cup was made during the Qianlong period (1736-1795) for export to North America and Europe. It has polychrome enamel decoration in the Famille Rose palette and an inner rim with an iron red band and gilt Greek key detailing.

The decoration on the front of the cup shows a vase holding flowers and a box containing what looks like a teapot or an incense burner.

Cup is unsigned and stands 2-1/2″ high, with an opening of 2-1/2″.

The remains of the original broken handle have been filed down but are still visible even after the addition of a replacement handle, made from a single piece of scrolled metal. I particularly like the added flourish at the bottom of the handle.

My cup would have originally had a matching saucer and a loop handle, much like the example below.

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Photo courtesy of Ruby Lane

Wucai teapot with misplaced handle, c.1690

Saturday, February 16th, 2013

This early porcelain teapot was made in China in the late 1600s and is a good example of an original form shifting to become current with the next generation. It is decorated in the Wucai palette, consisting of five enamel colors outlined in black. What I love most about this piece is that by the time the original fixed upright handle broke off, it was replaced with a rattan-wrapped metal handle attached to the side of the teapot. Most likely the break occurred over one hundred years after the teapot was made, which explains why the placement of the new handle is more in keeping with teapots of the early 19th century. This act of altering the original form of a piece is reminiscent of clobbered wares; a practice of painting over simply decorated porcelain with multi color enamels to appeal to changing styles. An added bonus is the presence of long meal staples at the top of the neck, holding together two broken pieces back in place.

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This teapot shows what the fixed vertical handle on my teapot would have looked like before the replacement handle was attached to the side.

Photo courtesy of Grays

Small creamware jug, c.1810

Sunday, December 16th, 2012

This small, lightweight ribbed creamware jug with gadrooned rim was made in England at the turn of the 19th century. It measures 3-1/4″ tall and has a replaced handle made of aluminum, a material I rarely encounter on repaired items. Two small rivets hold the handle to the body, which can be seen from the inside of the jug. I am glad that some of the cream colored enamel, painted in the same color as the jug and intended to mask the early repair have chipped away, exposing portions of the raw metal underneath.

White ironstone water jug, c.1870

Saturday, October 27th, 2012

Not much is known about this large white ironstone water jug with impressed basket weave design and pearlware glaze. It was found at a bottle dig site in Harper’s Ferry, NY, and remarkably, the tin handle, buried in the ground for dozens of years, remained mostly intact. The neck and spout of the jug were not so lucky, as much has broken off, revealing an asymmetrical jagged edge. This scrappy jug was made in England in the mid to late 19th century, and measures 9-1/4″ hight to top of handle and is 7-1/2″ at its widest point.

This intact jug shows what the original handle and top edge of my jug would have looked like before the tumble.

Photo courtesy of One Kings Lane

Small copper lustre gravelware jug, c.1840

Saturday, September 22nd, 2012

A tiny copper lustre jug, made in England in the mid-19th century, has an applied decorative gravel band at the bottom. It measures just 2-3/4″ tall.

In America, lustreware became popular in mid-19th century. During the Victorian period, a certain dinner party fad was to place lustreware pieces on a mirrored platform as a table centerpiece and watch the glow of gaslight sparkle and shimmer.

Over 100 years ago, a tinsmith made a sturdy replacement handle with two support straps after the original handle broke off. I particularly like the elegant loop the handle makes at the peak, avoiding the remaining broken fragment of the original.

This jug, with similar form and decoration, shows what the simple handle on my perfectly imperfect jug would have looked like before its disfiguring accident.

Photo courtesy of WorthPoint

 

Nanking sauceboat with multiple repairs, c.1750

Saturday, September 1st, 2012

I have often expressed that I am a sucker for pieces containing more than one form of early repair and this little beauty does not disappoint, as it sports three separate repairs and a signature to boot. Chinese porcelain sauceboat, made for export in the mid-1700s, was originally part of a large dinner set consisting of up to dozens of place settings and serving pieces, including a matching pair of sauceboats. Painted with cobalt blue underglaze in the Nanking pattern, it measures 7-3/4″ long from end to end and is 4-1/4″ deep.

Repair #1: Metal replacement handle, which may have once been covered in woven reed, was riveted to the end of the sauceboat, echoing the loop form of the original.

Repair #2: After the sauceboat was dropped a second time, an eighteenth century china mender carefully applied six 1/2″ staples to adhere the two large broken pieces near the spout.

Repair #3: Three tiny 1/4″ metal staples affix another large piece which broke off at the end of the sauceboat. They were overpainted in blue to match the decoration and over one hundred years later have held up quite well.

Etched on the bottom is “Cove 835″, which I am assuming is the mark of the china mender or tinker who was responsible for one or more of the repairs. I have not been able to find out any information on this cryptic signature but will continue to search and I welcome information anyone can provide.

This porcelain sauce boat from the same period shows what the simple loop handle on my piece would have looked like, before the addition of the metal replacement handle.

Photo courtesy of Ruby Lane

Teapot with kingfisher decoration, c.1750

Saturday, August 4th, 2012

Chinese globular form porcelain teapot with underglaze decoration featuring a kingfisher and pink peonies in the famille rose palette. This popular form was made for export to North America and Europe in the mid 1700s.

Teapot measures 5-1/2″ high and 7-3/4″ wide, from tip of spout to end of handle.

After the original porcelain loop handle broke off, a tinker formed a replacement using bronze covered in woven rattan. I have many examples of wrapped handles on teapots, each with slight variations. I am researching the different decorative patterns used and hope to identify the distinctions unique to each maker.

This globular teapot from the same period shows what the handle on my piece would have looked like before it broke off.

Photo courtesy of LiveAuctioneers