This small, lightweight ribbed creamware jug with gadrooned rim was made in England at the turn of the 19th century. It measures 3-1/4″ tall and has a replaced handle made of aluminum, a material I rarely encounter on repaired items. Two small rivets hold the handle to the body, which can be seen from the inside of the jug. I am glad that some of the cream colored enamel, painted in the same color as the jug and intended to mask the early repair have chipped away, exposing portions of the raw metal underneath.
Posts Tagged ‘English’
This is the story of a forced marriage between an 18th century Chinese porcelain mug and a 19th century English pottery jug, joined together by a mad tinker to live out the rest of their lives as one. The Qianlong period (1736-1795) mug with cobalt blue underglaze design stands 5-1/8″ high. The original handle, most likely in the form of a dragon, broke off sometime in the early 1800s. I imagine a clever repairer (or Dr. Frankenstein?) found a damaged English stoneware pottery jug, skillfully removed the intact snake-shaped handle and, using two metal rivets, reattached it to the body of a Chinese tankard…creating a hybrid Anglo-Asian monster mug!
This is what the original dragon handle on my Chinese mug would have looked like before it broke off. Photo courtesy of Ruby Lane
And this Mason’s Ironstone “Hydra” jug, made in Staffordshire, c.1830, shows the serpent handle intact. Photo courtesy of Selling Antiques
English porcelain miniature watering can made by Davenport in the mid-1800s. Finely painted with multicolor floral and scrollwork design with gilt accents. Measures 2-3/4″ high to tip of moth form lid finial and is 3-1/2″ wide from end to end. Stamped in red with DAVENPORT in a banner with an anchor, dating it from 1850 to 1870. Three brass staples on the handle, with the aid of some sloppily applied glue, hold the three broken pieces back together again.
English miniature soft paste pottery pearlware ladle from set of child’s dishes, measuring 3-3/4″ long and dating from the early to middle 1800s. The two broken halves are bound together by a criss cross of thin brass wire woven through 2 tiny holes on either side of the break. Small dabs of cement in each hole help secure the repair.
I pity the small child who briefly lost the use of their ladle during what might have been a fantasy feast. And I applaud the person who came to the rescue, making the two broken pieces whole again, thus allowing the imaginary dinner party to continue!
Colorful porcelain coffee can exquisitely decorated in the French style, made between 1806 and 1825 in London by Derby at their Nottingham Road factory. The wishbone form handle was detached over 150 years ago and riveted, soon afterward, back onto the body by a skilled metalsmith. It is marked on the underside with a red crown, crossed batons a “D” and (pattern number) 770, all hand painted in red.
For another example of an inventive repair in the same porcelain pattern, see “Wounded survivor” teapot, c.1810
Now that I own two pieces from this stunning tea set, I am on the hunt to find the remaining pieces. But naturally, I will turn away from “perfect” examples and only rescue the ones with inventive repairs!
Porcelain plate made in England by Worcester in the late 1700s is brightly decorated with cartouches containing colorful floral sprays surrounded by gilt scrollwork and a scale background of mottled cobalt blue.
Unsigned plate measures 9-1/2″ in diameter.
Although most items I have seen repaired with metal staples are holding multiple pieces back together, this plate has bronze staples stabilizing cracks against further damage. I like how the symmetrical pattern of the cracks and the staples form an almost perfect peace sign.