Posts Tagged ‘English’

Samuel Hollins stoneware coffee pot, c.1800

Saturday, December 2nd, 2017

This impressive drabware coffee pot was made by Samuel Hollins in Stoke-on-Trent, England, c.1795-1800. Made from unglazed dry bodied stoneware, it has sprigged decoration on the top portion, a ribbed lower portion, and silver lustre painted trim lines. It measures 8.5 inches high and 7.75 inches wide from handle to spout. On the underside is the impressed mark S. HOLLINS.

It appears that soon after the coffee pot was made, the tip of the spout broke off and the lid went missing. Luckily for the owner, a local tinsmith made a sturdy metal replacement lid, adding a hinge and a sawtooth edged collar. Although quite different in appearance, the new lid is more likely to remain on the pot, and the chance of another mishap his less likely.

This one shows what the original spout and lid would have looked like on mine.

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Photo courtesy of WorthPoint

London shape Coalport teapot, c.1812

Sunday, August 13th, 2017

This stately London shape porcelain teapot was made by the Coalport Porcelain Works of England, c.1812. It has a linear pattern in gold with red accents of birds perched on the branches of a fantastical tree, complete with a nest resembling an upturned straw boater hat. It measures 6.5 inches high and 10 inches from handle to spout.

Naturally, I prefer the side riddled with 21 metal staples, as I feel they add a layer of unintentional whimsy to the printed pattern beneath. The final photo shows the teapot on display at the exhibit Make-Do’s: Curiously Repaired Antiques, on view now through October 1 at Boscobel House and Gardens. Come see it, along with hundreds of other examples from my collection of antiques with inventive repairs.

 

Blue transfer printed pearlware jug, c.1825

Saturday, August 5th, 2017

This Dutch form pottery jug with pearlware glaze and sparrow beak spout was made in England in the first quarter of the 19th century. Standing nearly 4.25 inches high and 5.75 inches from handle to spout, it has blue transfer decoration, combining a pastoral scene with a shepherd, ancient ruins, and a lush border of flowers and fruit along the rim.

Well over 100 years ago, the original loop handle became detached and immediate surgery was needed. Luckily for the jug and its owner, a tinker made a metal replacement handle and bolted it to the jug. To help mask the repair, the new handle was painted blue and white to match the existing decoration. Curiously, a hole on the side was filled with lead, much like a cavity in a tooth. Not the most elegant repair job I have seen but it certainly does the trick.

This jug with similar form and decoration shows what my jug might have looked like before its accident.

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Photo courtesy of eBay

“Love and live Happay” teapot, c.1805

Saturday, July 15th, 2017

I am a big fan of ceramics with bold, graphic decoration, especially ones with text, and this charming example certainly fits the bill. This Prattware pottery teapot, proclaiming “Love and live Happay (sic),” was made in England in the early 1800s. Standing 5.25 inches high and 10 inches wide, it is painted in typical Prattware colors, including green, yellow, blue, and brown.

It appears that long ago, Mr. Butterfingers loved his teapot so much that he tossed it up in the air with glee, but didn’t catch it on its way back down. Sadly, the lid and handle shattered beyond repair, but thankfully a tinsmith was able to craft a nifty metal replacement handle so the teapot was able to be loved again and live happ(a)ily ever after.

This teapot with similar shape and decoration shows what the original handle and lid on mine might have looked like.

Photo courtesy of Agnes Ashe

Ridgway relief molded jug, c.1835

Saturday, June 24th, 2017

This relief molded salt glaze jug from 1835 was made in England by Ridgway. It is decorated with scenes from Robert Burns’ poem, “Tam O’Shanter,” written in 1790. It measures 6.75 inches tall and is incised on the underside: “Published by W. RIDGWAY & CO. MANLEY, October 1, 1835.”

Although this jug maintains its original pewter lid, its overscaled ear-shaped metal handle is a replacement, made by a tinsmith over 150 years ago.

Here’s the same jug with its original handle intact.

Photo courtesy of Andrew Dando

Character jug with stapled face, c.1924

Saturday, June 17th, 2017

Is this another monster created by Dr. Frankenstein? Not exactly, but it looks like his English relative.

This blue-glazed pottery character jug in the form of British Prime Minister Stanley Baldwin was designed by Percy Metcalfe and produced in Surrey, England, by Ashtead Potters between 1923-1929. It stands 7.5 inches high and is boldly marked on the underside and numbered 202 of a limited edition of one thousand.

We will never know for sure if the jug became broken accidentally or if it was thrown in disgust as a result of a disagreement over the political views of the Right Honorable Stanley Baldwin. Either way, four small metal staples were used to repair his broken face. Ouch, that’s gotta hurt!

Three other commemorative jugs were made in this series. Shown here in Pearl Barley glaze, they include Attorney General Lord Hailsham (Douglas McGarel Hogg), British Prime Minister David Lloyd George, and Australian Prime Minister Stanley Melbourne Bruce.

Photo courtesy of Ashtead Pottery

Wedgwood barrel-form teapot, c.1780

Saturday, April 15th, 2017

This basalt stoneware barrel-form teapot was made in England by Wedgwood, and in production from 1780 to 1790. It measures 3.5 inches high and 6 inches wide from handle to spout. The underside has the impressed mark “WEDGWOOD, Z, 1x”, and “B257” is hand painted in gold on the underside of the teapot and its lid.

Sadly for some but happily for me, over 200 years ago this small teapot slipped from the hands of someone who must have cherished it and the spout broke off. It was taken to a jeweler or tinker who replaced it with a silver spout on a scalloped plate. I have many examples of spouts with the same design, so I assume they were made in bulk by jewelers to have on hand, ready to be popped on to similarly damaged teapots. The lid’s knob broke off at a later date but was not replaced. I am hoping one day to make my own replacement knob of the same design, perhaps in silver to match the spout.

This undamaged teapot shows what the original spout and Sibyl-form knob looked like before they were damaged.

Photo from British Teapots & Tea Drinking by Robin Emmerson.

Georgian creamware teapot, c.1790

Saturday, April 1st, 2017

I love finding pieces with multiple repairs and this lovely soft paste pottery creamware teapot with pearlware glaze fits the bill nicely. It was made in Staffordshire or Leeds, England, in the late 1700s and is hand painted with spritely polychrome floral decoration on both sides. It measures 5 inches high and is marked with what appears to be A+A in red on the underside of the pot and lid.

But of course the reason it ended up in my collection is the three inventive repairs, which include a slightly exaggerated bronze handle covered in rattan, a brass collar concealing a chipped spout, and a cracked lid repaired with brown paper tape. I believe each repair was done years apart so one can only assume that the previous owners of this teapot were a clumsy lot.

This teapot still has its original handle and spout and shows what mine may have looked like before it was repaired.

Photo courtesy of Skinner

Brass candle holder with wood base, c.1880

Saturday, March 18th, 2017

I wonder how many fires were started as a result of broken candle holders. I have come across many examples with unusual replacement bases, including metal funnels, coconut shells, and blocks of wood. This is not surprising, as candleholders were handled everyday by various household members in every room of the house.

This candle holder was made in England in the late 1800s. It stands 7.5 inches high. Most likely it was one of a pair that might have been separated from its “perfect” mate. After the original brass base became detached from the stem, an overscaled wood replacement was fashioned. This well made base, complete with beveled edges and cut-line detailing along the top, measures 5 x 5 inches and appears to be a homemade make-do.

What ever happened to the matching candle holder without repair, you may ask? The story of The Prince and the Pauper comes to mind, so I imagine it has spent the past 130+ years in a castle, polished within an inch of its life, sitting prominently on a large sideboard and hobnobbing with other “perfect” things.

This pair of candlesticks suggests what the original octagonal base on mine might have looked like.

Photo courtesy of Selling Antiques

Toby figural pepper pot, c.1870

Sunday, March 5th, 2017

This 5 inch tall figural pepper pot (also known as a caster or muffineer) in the form of Sir Toby Philpott, wears a tricorn hat and grasps a tankard of ale in one hand and a tobacco pipe in the other. It was made in Staffordshire, England, in the late 1800s, of polychrome glazed pottery and is part of a four-piece caster (also known as a cruet or condiment) set, which includes a mustard, salt, and vinegar.

This Toby originally stood on a round plinth base, which he jumped off of (or fell, or was pushed) at least 100 years ago. In its place is a nicely crafted silver replacement base, lending an air of elegance to this robust fellow.

This chap stands on his original base, although the crack at the bottom leads me to believe that he might be heading to the silversmith soon to be fitted for his own silver replacement base.

Photo courtesy of The Antique Shop