Posts Tagged ‘Chinese’

Chinese jug with pewter handle, c.1775

Sunday, November 20th, 2016

This porcelain cream jug with baluster form and a sparrow beak spout was made in China during the Qianlong period (1736-96.) It is decorated in the Famille Rose palette and measures 4 inches high and is about 4 inches wide. The floral swag decoration suggests it was made for the French market.

I can just imagine a French maid in the early 1800s, clearing the breakfast table, grabbing this little jug with fingers still dripping with butter from making croissants, and letting it slip and tumble to the ground. Sadly, the cover and handle must have broken into too many pieces to repair, so a tinker was engaged and created a pewter replacement handle. Not sure if the shattered cover or the maid with shattered nerves were ever replaced.

This jug with similar form and decoration shows what the the original handle and cover on mine looked like before it took a tumble.

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Photo courtesy of Andrew Dando

Pair of Famille Rose dragons cups, c.1890

Sunday, November 6th, 2016

This pair of unmarked Chinese porcelain cups from the Guangxu period (1875-1908) are nicely decorated in the Famille Rose palette with peach trees, dragons chasing flaming pearls, and koi fish in waves. Each measures nearly 2.75 inches high and 4 inches in diameter.

It’s hard to tell if the bronze handles, most likely added in the early 1900s, were replacement handles or if they were attached to transform handless bowls into drinking cups.

Finding pairs of inventive repairs is uncommon and I am always on the lookout for more examples. In the coming weeks I will show other pairs from my collection so stay tuned.

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Chinese mug with multiple repairs, c.1750

Saturday, October 22nd, 2016

This bell-shaped footed porcelain mug was made in China in the mid 1700s. It has floral decoration in the Famille Rose palette and stands 5.5 inches tall.

It appears that someone literally loved this mug to pieces. I imagine that the person who dropped it must have been heartbroken, watching it tumble to the ground where it suffered multiple breaks, chips, and cracks. The early metal repairs, done over 150 years ago, included a band along the rim to stabilize cracks, braces on the handle, and rivets to reinforce four symmetrical chips. Much how time can mend a broken heart, a skilled restorer did an excellent yet eccentric job with this mug break-up.

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Chinese teapot with butterflies, c.1780

Sunday, September 18th, 2016

This porcelain globular-form footed teapot was made in China in the late 1700s and is decorated in the famille rose palette with flowers, butterflies, and a diaper pattern border along the rim and on the lid. It measures 4 inches high.

A sturdy metal spout stands at attention, replacing the original porcelain one that was damaged. At a later date, a metal chain was attached to keep the lid from going astray. I have numerous metal replacement spouts just like this and feel that repairers had a stock of them on hand to be attached to damaged teapots. Look for an upcoming post where I compare and contrast similarly made replacement spouts.

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This teapot, with similar form and decoration, shows what the original spout on mine may have looked like.

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Photo courtesy of 1stdibs

Chinese carved carnelian brooch, c.1920

Sunday, August 21st, 2016

This oval carved carnelian brooch with a pierced floral pattern in a simple silver setting was made in China around 1920. It measures 1.25 inches by 1.5 inches. After it dropped and broke in half, a resourceful jeweler laced it back together with silver wire, using the pierced holes in the design.

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Chinese bowl for “Mifs Cox”, c.1740

Saturday, July 30th, 2016

This Chinese bowl, which measures 2.75 inches high and 5.75 inches diameter, is decorated with flowers, pagodas, and bridges in the Japanese Imari style and palette. It was made for export to Europe in the early to mid 1700s with just the blue underglaze decoration, but soon after arriving, it was overpainted in red and gold to keep up with the public’s new demand for colorful porcelain. This method of overpainting is often referred to as clobbering.

You may wonder why I am featuring a bowl that appears to have had its broken halves merely glued together. But the “Mifs Cox” red mark on the underside – she was most likely the original owner of the bowl – gives insight into how the bowl was repaired. An early form of ceramic repair practiced in England during the late 1700s to middle 1800s was called “china burning,” in which broken ceramics were re-fired at a low temperature, causing the broken pieces to fuse together. The most renowned china burner was Edward Combes of Queen Street, Bristol, who signed his pieces on the underside in red script, similarly to the mark on this bowl. I have a few examples of pieces repaired and signed by Combes and will post them in the coming months.

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Chinese coffee can, c.1750

Sunday, July 10th, 2016

This cylindrical form porcelain coffee can (or coffee cup, outside of the UK) is decorated with cobalt blue underglaze decoration and has brown glaze along the rim. It was made in China during the Qianlong period (1711-1799) for export most likely to North America and Europe. It measures 2.5 inches tall.

Well over one hundred years ago, this small cup slipped from someone’s grasp, resulting in its handle snapping off. Rather than being tossed out, the precious cup was taken to a “china mender” who fashioned a sturdy iron replacement handle wrapped in rattan. The woven rattan acts as an insulant from the hot contents and allows for a tighter grip.

This coffee can with the same form and similar decoration shows what the original handle on mine might have looked like.

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Photo courtesy of Etsy

Chinese porcelain sauce boat, c.1760

Saturday, May 28th, 2016

This elongated Baroque serpentine form silver shape sauce boat was made in China during the Qianlong period (1736-1796). It is made of porcelain and decorated in the Famille Rose palette, with hand painted flowers, ducks, and garden stools in pink, green, blue, and white enamels with gilt highlights. It measures 9-3/4 inches long by 3-5/8 inches high.

Well over 150 years ago when the original simple loop handle snapped off, a “china mender” fashioned a replacement handle, which was riveted to the body. To help insulate the metal from the hot contents, rattan was wrapped and woven around the handle. This would have been one of a pair of matching sauce boats and was a part of a large dinner service. I wonder if it was separated from its mate and other “perfect” serving pieces, as was often the case.

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The original handle on this sauce boat, with identical form and similar decoration, gives you an idea of what the handle on my sauce boat would have looked like.

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Photo courtesy of Online Galleries

Chinese floral cream jug, c.1760

Saturday, April 23rd, 2016

This porcelain baluster form cream jug with sparrow beak spout has floral decoration painted with polychrome enamels in the Famille Rose palette. It was made in China, circa 1760, and measures 4.5 inches tall.

After the original porcelain handle broke off, a rattan-wrapped bronze replacement handle was added. The missing patch of woven rattan reveals a bent section of bamboo just under the handle which was added to help cushion the bare metal. The tactile ridges in the rattan also make the handle easier to grip.

This jug of similar form shows what the original handle and lid might have looked like on mine.

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Photo courtesy of De Franse Lelie

Chinese porcelain plate with staples, c.1710

Sunday, February 28th, 2016

This early 1700s hexagonal porcelain plate was made in China during the Kangxi Period (1662-1722). It has an unglazed hexagonal rim and foot rim, with a cobalt blue underglaze garden design and floral border. It  measures 9 inches in diameter.

After the plate took a tumble, it was put back together using three large metal staples, aka rivets, as well as an unusual pewter plug. Unlike the majority of the staple repairs I come across, the holes drilled to accommodate the staples go all the way through to the front, resulting in a nice dot pattern. With strong graphics appearing on the front and back of the plate, I deliberately display both sides.

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